Building, Dublin South City, Co. Dublin
Co. Dublin |
Utility Structures
What survives at Number 20 Fishamble Street is easy to walk past without a second glance: a single-bay, two-storey facade, rendered and topped with a stepped parapet and moulded masonry cornice, now serving as the entrance to an apartment forecourt.
It looks, at first, like a fragment left over from some modest Victorian terrace. In fact, it is what remains of one of the most consequential concert halls in European musical history, the place where Handel's Messiah was first rehearsed.
The hall was opened in October 1741 by William Neal, a Dublin printer and publisher, and was designed by the architect Richard Cassels. Its interior was decorated in white and gold, and it stood directly across the road from the Bull's Head Tavern, which had previously served as the principal music venue in the city. Before Neal's hall existed, Fishamble Street's tavern was where Dublin's musical life largely gathered; the new building shifted things considerably. On the 8th of April 1741, several months before the hall's public opening, the first full rehearsal of Handel's Messiah took place within its walls. The work received its public premiere the following year, also at this venue. By 1756, John Rocque's detailed map of Dublin records the building simply as "M H", a small annotation that speaks to how established it had become in the city's geography. The hall's later history was less distinguished: a photograph from around 1967, held by the National Library of Ireland, shows the building in use as Kennan and Sons Ltd. Iron Works, its original purpose long abandoned.
The remnant facade is on the east side of Fishamble Street, in Dublin's old city quarter near Christchurch Cathedral. There is no grand entrance or interpretive signage to announce what it is, which is part of what makes finding it feel worthwhile. The National Inventory of Architectural Heritage lists it under registration number 50020501, and the entry on the Buildings of Ireland website provides useful context before a visit. The street itself is short and easily explored on foot from the nearby Wood Quay or Christchurch areas. The facade is modest enough that knowing what to look for, that stepped parapet, the rendered finish, the gateway opening into a modern courtyard beyond, matters considerably more than the time of year.