What visitors see from the front is an early nineteenth-century face: a two-storey entrance front with bowed ends, a hipped roof, and a central doorway framed by sidelights and a fanlight. It looks complete in itself, a recognisable product of the Regency period in Irish rural architecture. But press around to the rear and an older building reveals itself beneath the additions, a double-gable-ended house from the eighteenth century, built on the same axis and simply absorbed rather than replaced. The chimney stacks sitting atop its gables and its narrow sash windows give the earlier section away, though its rear elevation is largely hidden behind later work.

The layered construction of the house is noted in Mark Bence-Jones's survey of Irish country houses, published in 1978, which records this kind of incremental building as fairly typical of the period, when landowners would update a dwelling's public face without demolishing what stood behind. Ranges of two-storey farm buildings extend to the east and north, giving a sense of the broader working estate the house once anchored. More curious, perhaps, is a shallow rectangular pond to the northwest, stone-lined and measuring roughly thirty metres along its longer axis, with an overflow outlet at its northwest end covered by a large stone slab. Locally it goes by the name Monk's Pond, a name that gestures towards a much earlier use of this land, possibly monastic, though the connection is not documented with certainty. Its alignment also places it roughly in line with a nearby clapper bridge, a type of simple stone crossing in which large flat slabs are laid across low supports, which may suggest both features share a common origin or practical relationship.