The carvings represent a remarkable example of Atlantic rock art, featuring an intricate arrangement of cups, rings, and grooves that have weathered thousands of years on this gently sloping outcrop.

The main panel contains a particularly unusual cartouche design; a rectangular frame enclosing ten parallel grooves, neatly divided by a perpendicular line. Five prominent cup marks, each surrounded by up to four concentric rings, dominate the composition. North of this central group, the rock reveals more subtle engravings including a large triangular groove containing four cup marks and a delicate rosette pattern formed by five tiny depressions. Within this same triangle sits a substantial cup mark with two nearly complete rings, between which three minute cups appear to mark the beginnings of a third ring. A short groove, or ‘tail’, extends from the central cup to reach the outer ring.

South of the main carvings, beyond a natural crack in the rock, the artwork continues with another cup and ring motif featuring three irregular but complete rings and a distinctive tail. The southwestern section incorporates this design into a longer groove system that connects to another cup with its own ring. Throughout the entire surface, at least eight individual cup marks of varying sizes punctuate the stone, whilst numerous grooves intersect and touch one another, creating a complex network of prehistoric symbols whose exact meaning remains tantalisingly beyond our grasp.