The site is known in Irish as Tobar na Seacht nIníon, the Well of the Seven Daughters, and the name alone raises questions that the landscape around it does not easily answer. Holy wells dedicated to obscure or unnamed figures are scattered throughout the west of Ireland, often preserving devotional traditions whose origins have become detached from any written record, and this one is no exception.

A reference from 1947 notes the presence of loose stones arranged in front of the spring, which are thought to have once formed a surround or altar of some kind. Structures of this sort were common features of venerated wells, providing a focus for the rounds or patterns, the circuits of prayer and ritual that characterised well-devotion in rural Irish practice. By the time the site was formally recorded, those stones had already lost their original arrangement, though a reconstruction was subsequently carried out, attributed in the record to local knowledge provided by Tim Robinson, the cartographer and writer whose detailed mapping of Connemara and the Aran Islands drew attention to precisely these kinds of quietly persisting local landmarks.