Located southwest of one ancient site and southeast of another, this low hill has served dual purposes across millennia; first as a canvas for Bronze Age artists, and later as a convenient dumping ground for field clearance stones. When archaeologist Van Hoek examined the site in 1987, careful removal of turf and cleaning revealed an impressive array of cup and ring marks carved into the exposed rock surfaces, though piled field stones prevented complete excavation of what may be an even larger collection of engravings.

The rock art divides naturally across two sloping sections of the outcrop. The lower portion, angling gently southwest, features at least eleven cupmarks, six arranged in a deliberate row. Among these, one cup is encircled by two distinct rings, the outer ring notably angular in its southeastern quadrant. Another cupmark, separated by a natural crack in the rock, displays an irregular, oval ring accompanied by three grooves; one curved groove extends from the cup itself, whilst two shorter grooves connect various elements of the design. These careful modifications suggest deliberate artistic choices rather than random markings.

The upper section proves even more elaborate, with its concentration of engravings including at least twenty-two single cups of varying shapes, some oval and others featuring tail-like extensions. The complexity increases with four cups bearing single rings, five with double rings, and one cup surrounded by three extremely faint complete rings. The centrepiece of this prehistoric gallery is a remarkably large cupmark, measuring fifteen centimetres across, surrounded by one clearly pecked complete ring and portions of a second that connects to a neighbouring ringed cup. A distinct tail extends from this central cup towards the east-southeast, whilst various indistinct grooves throughout the surface hint at additional, perhaps unfinished, artistic elements. Despite the interference of later agricultural activity, the site remains a significant example of Irish Bronze Age rock art, its symbols and patterns still defying complete interpretation after thousands of years.