What makes the building quietly puzzling is its dual character: the structure as it stands reads largely as an eighteenth or nineteenth-century building, yet it occupies a site with far older religious associations, and the suspicion lingers that something medieval lies beneath or behind its present form.

The church measures seventeen metres long by seven and a half metres wide, oriented roughly northeast to southwest. Entry is through a pointed arch doorway in the southwest gable, opening into an interior whose internal wall faces are rendered and whose light comes from two single-light windows set into the northwest wall. At the northeast end, a circular arch leads through to a small rectangular apse, a semicircular or polygonal recess projecting from the main body of a church, here used to house a plain table tomb aligned along the same northeast to southwest axis as the building itself. The apse has its own twin-light pointed arch window, still fitted with glazing bars, which lends the space an unusual degree of finish for what is otherwise an unadorned structure. That combination, a separate vaulted recess, a single tomb, glazed windows, points toward a mortuary chapel or private family chapel rather than a working parish church, and it is possible that an earlier medieval building was adapted for precisely that purpose at some point during the Georgian era.