Three limestone arches, the central one carrying a family crest and the date 1827, are dressed with pinnacles, finials, and battlements in the neo-Gothic style, that deliberately romantic mode that borrowed the visual language of medieval fortification for purely decorative effect. A one-storey lodge sits beside it in matching ashlar, and immediately north of the entrance an ancient ringfort, a circular earthwork enclosure of early medieval origin, occupies the same ground. The juxtaposition is not accidental exactly, but it is quietly strange: centuries of occupation compressed into a single approach.

The house itself presents a composed, five-bay façade of ashlar limestone to the west, with Ionic columns framing a round-headed door beneath a fanlight, a perron with iron railings and a double sweep of steps, and first-floor windows given a little extra weight by bracketed keystones. Its 18th-century appearance is, in an important sense, a reconstruction. A fire in the second half of the 18th century damaged the original building, and a date-stone reading 1816 almost certainly marks the rebuilding that followed. The demesne wall was also raised in 1816, suggesting a wholesale reordering of the estate in that period. A further modernisation came in 1911, when the south end was extended by two bays in the same style, the whole then brought under a single hipped roof with a central valley and three chimneys. The rear elevation offers a different character, with a round-headed stairway window positioned above an oval opening, details that hint at more considered interior planning than the plain garden front suggests. About 500 metres south-east of the house, a private burial ground contains an altar tomb of the Brasier-Creagh family, the people most closely associated with the estate across its later centuries.