Its four-bay frontage on the south-west elevation carries the door not in the centre, where convention might place it, but shifted to the left, a small asymmetry that gives the whole facade a slightly off-kilter character. It is the kind of detail that reads as accidental until you stand in front of it.

The building combines materials and methods from different eras without apparent anxiety about the combination. Plate glass sash windows, a glazing type associated with the nineteenth century and the gradual commercialisation of Irish domestic architecture, run throughout the house, sitting beneath a hipped thatched roof, the kind of roof where the covering sweeps down over all four sides rather than ending in open gables. A single off-centre brick chimney rises to the right of the ridge. Attic windows punctuate the end walls, and a single window breaks the rear elevation. The overall effect is of a house that was built or modified in stages, each generation adding what it needed without removing what worked. Vernacular buildings like this one rarely appear in architectural surveys of significance, yet they are often more informative about how ordinary rural life was arranged and maintained than grander structures with better documentation.