What began as a rath, a roughly circular enclosure formed from an earthen bank and used in early medieval Ireland as a defended farmstead or high-status residence, was later absorbed into the designed landscape of a demesne, almost certainly appreciated as a ready-made picturesque irregularity in an otherwise manicured estate.

The monument itself is subcircular in plan, measuring approximately 27.2 metres north to south and 24 metres east to west. It survives in fair condition: a bank is still visible along its south-western to western arc, while a tree-lined scarp, the remnant of what was once a more pronounced earthwork edge, defines the circuit elsewhere. The trees are not incidental. They are almost certainly part of the demesne-era intervention, planted to frame or ornament the old enclosure and give it the quality of a garden feature rather than a ruin to be cleared. This kind of reuse was not unusual in eighteenth- and nineteenth-century Ireland, when landowners incorporated ancient earthworks into their pleasure grounds, sometimes without fully understanding, or particularly caring, what those earthworks originally were. The result here is a layered object: a monument whose form belongs to early medieval Ireland and whose planting belongs to a later era of landscape aesthetics entirely.