That origin alone gives this quiet coastal burial ground an unusual weight, and the ruins gathered within it add further layers that repay attention.

The centrepiece is a much-rebuilt post-medieval church dedicated to St Enda, the early Christian monastic figure associated with the Aran Islands. The structure measures roughly 11.5 metres by 5 metres, oriented east-northeast to west-southwest in the traditional manner. A doorway survives in the north wall, and there is a robbed window in the east gable, its stonework stripped at some point, leaving only the opening. A second doorway in the west gable connects to a later annexe of similar proportions, internally divided, and identified by some scholars as having served as the priest's house. Tucked at the southern end of the same graveyard, on a slight rise, is an eighteenth-century mortuary chapel, a small sealed structure in good condition externally, its interior no longer accessible. A mortuary chapel of this kind would have been used to receive coffins and hold the dead before burial, and in rural Connacht they were sometimes built by prosperous local families as both a practical facility and a mark of standing. The graveyard also contains the modern parish church, so this is a site where medieval, early modern, and contemporary religious life occupy the same ground.

The ruins sit in the northeast corner of the graveyard, close to the shore, and the mortuary chapel stands to the south on its low rise. Visitors to An Spidéal who look only at the modern church will likely walk past both without recognising what the older stonework represents.